Colonial Echo by Rachelle Mozman Solano

​In Colonial Echo, two series are brought together as chapters with texts that are excerpted interviews written in the format of a screenplay. The first chapter is work from the body of photographs Casa de Mujeres. La Negra, is the group of photographs that appear in the second chapter and represents my grandmother whose nickname was La Negra. The images describe La Negra, as she transitions to the United States with her younger daughter. The conflict is in attempting to assimilate to a new culture, where the history of color and the distinction in class, transforms their identity.

Rachelle Mozman Solano grew up in New York City of parents who shared the experience of immigration. She works between New York and Panama the country of her maternal family. Starting often from her biography and family history Mozman Solano explores how culture shapes individuals, how environment conditions behavior. Her work is concerned with the intersection of mythology, history, economics, and the psyche through photographs and films that confound fact and fictional narrative. In her work narrative is explored as inherent to our humanity and shaped by perception. Mozman Solano’s art is deeply informed by her clinical work in psychoanalysis. In 2019 Mozman Solano will exhibit Metamorphosis of Failure at Smack Mellon, Brooklyn, NY, and in 2018 she exhibited El espejo opaco de Gauguin in Arteconsult, Panamá, Panamá. In 2017 she exhibited in A New Region of the World at Bunkier Sztuki, Kraków, Poland and LARA (Latin American Roaming Art), Panamá, Panamá. In 2016 Mozman Solano exhibited in the X Bienal Centroaméricana and in 2015 she exhibited in Do/Tell at the Institute of Contemporary Art at the University of Pennsylvania, and Portraiture Now: Staging the Self at Americas Society. Mozman Solano has been awarded residencies at LMCC workspace, Smack Mellon, The Camera Club of New York, and Light Work. Her work has been published in the Light Work annual Contact Sheet, Presumed Innocence, Exit magazine and numerous other publications.

Mozman is a Fulbright Fellow, and has exhibited at the National Portrait Gallery at Smithsonian Institution, Washington D.C, the Americas Society, New York, New York, National Hispanic Cultural Center, Albuquerque, New Mexico, The Studio Museum in Harlem, New York, New York, the Chelsea Museum, New York, New York, The DeCordova Sculpture Park and Museum, Lincoln, Massachusetts, the Museum of Latin American Art, Long Beach, California, the Shore Institute of Contemporary Art, Long Branch, New Jersey, Festival de la luz at the Centro Cultural Recoleta, Buenos Aires, Argentina the Instituto Cultural Itau, São Paulo, Brazil, the Friese Museum, Berlin, Germany,  the Museo Nacional de Bellas Artes, Santiago, Chile, Museo Nacional de Artes Visuales, Montevideo, Uruguay, Centro Cultural de España, Mexico City, Mexico,  Festival Biarritz, Biarritz, France, as well as the IX Bienal de Cuenca, Ecuador.

9.7 x 11.7 " vertical, hardcover
88 pages, 52 plates
First Edition, limited to 300 copies

OPTION I - Book Only - $75
OPTION II - Book with Print 01, 11x14” pigment print, signed, limited to 8 copies - SOLD OUT
OPTION III - Book with Print 02, 11x14” pigment print, signed, limited to 8 copies - SOLD OUT
OPTION IV - Book with Print 01 and Print 02, signed - SOLD OUT

COLLECTIONS
Amon Carter Museum of Art
British Library
Guggenheim Museum
Haverford College
Hampshire College
Kenyon College
Maryland Institute College of Art
Metropolitan Museum of Art
MoCP Chicago
Munson
National Gallery of Art
Ohio University
Pratt Institute
Stanford University
Texas State University
Tufts University
University of Arkansas
University of Colorado Boulder
Yale University